HerculaneuminPictures

 

 




Herculaneum III.16. Casa dell’ Erma di Bronzo, or House of the Bronze Herm.

 

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Ins. III.16, Herculaneum, May 2006. Room 9, south wall of atrium.

III.16, Herculaneum, May 2006. Room 9, south wall of atrium, with room 2 on left, and corridor 6, on right.

 

Ins. III.16, Herculaneum, September 2015. Corridor 6, on south side of atrium, looking west.

III.16, Herculaneum, September 2015. Corridor 6, on south side of atrium, looking west.

 

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III.16, Herculaneum, October 2014. Corridor 6, on south side of atrium, looking west.

Photo courtesy of Michael Binns.

 

Ins. III.16, Herculaneum, September 2015. Corridor 6, south wall, looking west.

III.16, Herculaneum, September 2015. Corridor 6, south wall, looking west.

 

III.16, Herculaneum, October 2014. Corridor 6, upper south wall, with painting of sacred landscape in situ.  Photo courtesy of Michael Binns.

III.16, Herculaneum, October 2014. Corridor 6, upper south wall, with painting of sacred landscape in situ.

Photo courtesy of Michael Binns.

 

III.16, Herculaneum, October 2014. Corridor 6, upper south wall, painting of sacred landscape still in situ.
According to Guidobaldi and Esposito, this painting (with large tree on the right) is on the north wall of the hallway, whereas our photo shows it on the south wall. 
See Guidobaldi, M.P. and Esposito, D. (2013). Herculaneum: Art of the Buried City. U.S.A, Abbeyville Press, (p.144).
According to Esposito, the landscape with the large tree on the right, is on the south wall of the corridor, the landscape now in Naples Museum (Inv. 9419) was from the north wall. 
See Esposito, D. (2014). La pittura di Ercolano, Studi della Soprintendenza di Pompei, 33. Rome, L’Erma di Bretschneider, (tav.41, fig.4 and fig.5).

III.16, Herculaneum, October 2014. Corridor 6, upper south wall, painting of sacred landscape still in situ.

According to Guidobaldi and Esposito, this painting (with large tree on the right) is on the north wall of the hallway, whereas our photo shows it on the south wall.

See Guidobaldi, M.P. and Esposito, D. (2013). Herculaneum: Art of the Buried City. U.S.A, Abbeyville Press, (p.144).

According to Esposito, the landscape with the large tree on the right, is on the south wall of the corridor, the landscape now in Naples Museum (Inv. 9419) was from the north wall.

See Esposito, D. (2014). La pittura di Ercolano, Studi della Soprintendenza di Pompei, 33. Rome, L’Erma di Bretschneider, (tav.41, fig.4 and fig.5).

 

Ins. III.16, Herculaneum, September 2015. Corridor 6, north wall, looking west.

III.16, Herculaneum, September 2015. Corridor 6, north wall, looking west.

 

III.16, Herculaneum, October 2014. Corridor 6, upper north wall without a painting in situ. Photo courtesy of Michael Binns.

III.16, Herculaneum, October 2014. Corridor 6, upper north wall without a painting in situ.

Photo courtesy of Michael Binns.

 

III.16, Herculaneum. Sacred landscape from upper or centre of south wall in corridor 6.  Now in Naples Archaeological Museum. Inventory number 9419, found 18th March 1763.
According to Guidobaldi and Esposito, two of these panels were painted on the upper walls in corridor 6.  The one above from the south wall was taken to the Naples Museum, the other left in situ on the north wall also depicted a sacred landscape.  This shows a few figures approaching a rural sanctuary with a small temple.  On the left of the temple is a circular tower, in front of the tower is a statue, perhaps Priapus.  On the left of the circular tower is a tree, and a pedestal with a metal vase on top.  A larger tree can be seen on the right of the painted panel.
See Guidobaldi, M.P. and Esposito, D. (2013). Herculaneum: Art of the Buried City. U.S.A, Abbeyville Press, (p.144, and fig.120).
See Esposito, D. (2014). La pittura di Ercolano, Studi della Soprintendenza di Pompei, 33. Rome, L’Erma di Bretschneider, (tav.41, fig.4 and fig.5).

III.16, Herculaneum. Sacred landscape from upper or centre of north wall in corridor 6.

Now in Naples Archaeological Museum. Inventory number 9419, found 18th March 1763.

Two of these panels were painted on the upper walls in corridor 6.

The one above from the north wall was taken to the Naples Museum, the other left in situ on the south wall also depicted a sacred landscape.

See Guidobaldi, M.P. and Esposito, D. (2013). Herculaneum: Art of the Buried City. U.S.A, Abbeyville Press, (p.144)

See Esposito, D. (2014). La pittura di Ercolano, Studi della Soprintendenza di Pompei, 33. Rome, L’Erma di Bretschneider, (tav.41, fig.4 and fig.5).

 

III.16, Herculaneum, September 2015. Corridor 6, leading westwards to triclinium 8, with doorway to room 7, centre right of corridor.

III.16, Herculaneum, September 2015.

Corridor 6, leading westwards to triclinium 8, with doorway to room 7, centre right of corridor.

 

III.16, Herculaneum, September 2015. Triclinium  8, looking towards south-west corner from corridor 6.

III.16, Herculaneum, September 2015.

Triclinium 8, looking towards south-west corner from corridor 6.

 

Ins. III.16, Herculaneum, May 2006. Area 8, looking towards north-west corner.

III.16, Herculaneum, May 2006. Triclinium 8, looking towards north-west corner.

 

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III.16, Herculaneum, May 2006. Triclinium 8, west wall.

 

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III.16, Herculaneum, May 2006. Triclinium 8, remains of landscape scene painted on the west wall.

According to Guidobaldi and Esposito, this painted wall is the east wall.

See Guidobaldi, M.P. and Esposito, D. (2013). Herculaneum: Art of the Buried City. U.S.A, Abbeyville Press, (p.144)

 

III.16, Herculaneum, October 2014. Looking west across impluvium in atrium towards tablinum, in centre.  Photo courtesy of Michael Binns.

III.16, Herculaneum, October 2014. Looking west across impluvium in atrium towards tablinum, in centre.

Photo courtesy of Michael Binns.

 

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III.16, Herculaneum, October 2014. Looking north-east across impluvium in atrium. Photo courtesy of Michael Binns.

 

Ins. III.16, Herculaneum, May 2006. Room 9, south-west corner with corridor 6, and tablinum 4.

III.16, Herculaneum, May 2006. Room 9, south-west corner of atrium with corridor 6, and tablinum 4.

 

III 16, Herculaneum, August 2013. Looking towards south-west corner of atrium. 
Photo courtesy of Buzz Ferebee.

III 16, Herculaneum, August 2013. Looking towards south-west corner of atrium 9.

Photo courtesy of Buzz Ferebee.

 

III 16, Herculaneum, September 2015. Reproduction bronze herm from which the house was named, perhaps the homeowner, on west side of atrium 9, near the tablinum.
According to Pesando and Guidobaldi, this herm was found in a room on the upper floor above room 3, the room on the north of the entrance doorway.
See Pesando, F. and Guidobaldi, M.P. (2006). Pompei, Oplontis, Ercolano, Stabiae. Editori Laterza, (p.327)

III 16, Herculaneum, September 2015.

Reproduction bronze herm from which the house was named, perhaps the homeowner, on west side of atrium 9, near the tablinum.

According to Pesando and Guidobaldi, this herm was found in a room on the upper floor above room 3, the room on the north of the entrance doorway.

See Pesando, F. and Guidobaldi, M.P. (2006). Pompei, Oplontis, Ercolano, Stabiae. Editori Laterza, (p.327)

 

III.16, Herculaneum, October 2014. Reproduction bronze herm on west side of atrium 9.  Photo courtesy of Michael Binns.

III.16, Herculaneum, October 2014. Reproduction bronze herm on west side of atrium 9.

Photo courtesy of Michael Binns.

 

Ins. III 16, Herculaneum, September 2015. West wall of atrium 9, with corridor 6 leading to garden, on left, bronze herm, tablinium 4, and room 5, on right.

III 16, Herculaneum, September 2015.

West wall of atrium 9, with corridor 6, on left, bronze herm, tablinum 4, and room 5, on right.

 

 

Part 1   Part 2   Part 3   Part 4   Plan